Tuesday, 19 April 2011
Monday, 18 April 2011
Production- Final Film
Title- Per Oculos Lupus
Produced by- Sync Productions
Starring- Ryan Lott, Chloe May, Tom Hartland
Released- April 2011
Genre- Horror
Director(s): Forest Onderka-Lang, Thomas Hartland, Thomas Mendel, Robert Gravely
Editing by- Forest Onderka-Lang, Thomas Mendel, Thomas Hartland, Robert Gravely
Produced by- Sync Productions
Starring- Ryan Lott, Chloe May, Tom Hartland
Released- April 2011
Genre- Horror
Director(s): Forest Onderka-Lang, Thomas Hartland, Thomas Mendel, Robert Gravely
Editing by- Forest Onderka-Lang, Thomas Mendel, Thomas Hartland, Robert Gravely
Planning 9- Shooting Schedule

We decided to film everything on Friday 12th March, It was tough to Co-Ordinate everyone to a good shooting time as both the members of the group who did the filming, Myself, and Forest, both have jobs, as did the driver of the car we used. Eventually we found a suitable day to film which was quite stressful as it was that night or bust really, so the weather really had to play along with its forecast- shown here ->
For the filming, the used:
- The camera
- The car
- Skye (Dog)
- Blanket
- Two actors (discluding myself in the dog walkers role)
- The costumes
The costumes were thought about thoroughly, the writers of the storyboard, (Myself and Forest) had the vision of a traditional American style werewolf film. Whereby the two teenagers are alone at the stereotypical "Make out point" and the two are attacked by a lurking werewolf. With this in mind, the actors had to be wearing the stereotypical American teenage clothing, originally we wanted to use the again stereotypical "Jock football team jacket". But there were difficulties getting a hold of it. So the male actor wore an American designer top and the female actor wore a dress.
We didn't film the final production chronologically, as the werewolf was supposed to be able to see in the dark, we filmed the POV shots during the day to make sure it was illuminated giving the impression the wolf has immaculate night-time vision. The frames we shot are as follows-
Wolf Point Of View Shots (Frames 2, 5, 8, 22, 23)
Shots Involving The Dog (Frames 14 - 21)
Shots Of Actors One and Two (Frames 6, 7, 9, 10 - 13, 16, 18)
Shots of Actor Three (Frames 15, 17)
Moving Car Shots (Frames 1, 3, 4)
Planning 8- Communication through Web 2.0

The members of the team had to have some way of communicating and organising wherever we are. So we decided to use social networking sites such as facebook-
Some members of the group used twitter for things like sharing their research, I however didn't because I think for the most part It's a self centred waste of time. Here, Team Member Thomas Mendel is sharing the soundtrack he found with Team Member Forest.

Saturday, 16 April 2011
Planning 7- Props and Locations
The job of finding suitable locations was actually my task. As my village is in a very rural location with lots of quiet back roads in which a teenage couple might go to engage in teenage kicks. I scouted around 3 or 4 locations around my house but eventually chose the first one I found as it was a very quiet road with no sound except the occasional sound of a train going by and It also has a very creepy shed like structure overlooking the road which I thought we could shoot from. I thought if we shot from it at the start of the film then perhaps we could use it as the werewolf's "Den". We created a table of the props we used to simply keep track of what we have used- borrowed etc. So that it could be returned and not lost. This is the table:
These are pictures of the Location I eventually chose-
Props: | Reason for usage: |
Digital Video Camera | to record the opening two minutes |
Digital Fixed Camera | to take photos as evidence |
Tripod | to stand and keep the camera still whilst filming |
Rug | for the boy and girl actors to sit on |
Car | to be parked behind the boy and girl/lighting |
These are pictures of the Location I eventually chose-
Planning 6- Marketing and Distribution
Poster:
The poster was created as a form of advertisement for the general public. The poster was created by team member Rob Gravely, it was essential to make the poster attractive and gripping. The text he used is clearly stirring and is clearly gives it's audience the impression that this is a horror film. The use of red and black in the image is often used in many horror films as it provokes fear.
The image in the Poster is a still from the shooting day. The BBFC rating of the film and the actors names are included in the poster.
The poster was created as a form of advertisement for the general public. The poster was created by team member Rob Gravely, it was essential to make the poster attractive and gripping. The text he used is clearly stirring and is clearly gives it's audience the impression that this is a horror film. The use of red and black in the image is often used in many horror films as it provokes fear.
The image in the Poster is a still from the shooting day. The BBFC rating of the film and the actors names are included in the poster.
Planning 5- Directors Pitch
Main task: the titles and opening of a new fiction film, to last a maximum
of two minutes.
All video and audio material must be original, produced
by the candidate(s), with the exception of music or audio effects from a
copyright-free source. Both preliminary and main tasks may be done individually
or as a group. Maximum four members to a group.
The opening two minutes of a werewolf movie. A teenage couple drive to a secluded spot for a romantic evening. Using the Bus Technique, a Farmer interrupts, but then he is attacked by the werewolf. Shot in the style of a low budget B-movie, the audience doesn’t see the werewolf, but it’s introduced through Point Of View shots.
As a group we intend to shoot on location near Kilsby. We need to consider lighting, as it will be a night shoot. Our initial plan is to work with the car’s headlights, camping lanterns and external torches.
Planning 3- Production Logo
The production logo was designed by Team Member Thomas Mendel, we decided to name our production company "Sync Productions", we thought that it was catchy and was very much like production logos you would find in a film. We created by utilising Adobe Photoshop and Microsoft Word.
Planning 2- Soundtrack Consent
The team decided to use "Monster" by the Automatic in the final production- It was appropriate and as the Film a aimed at a teenage audience it is quite a teen representative song. To use the song we had to gain consent from the licensing company that represents the song.
We sent this email asking for consent-
We sent this email asking for consent-
Planning 1- Divvying up the Tasks
The tasks in the production were divvied up between us equally yet some tasks such as location finding were given to me as I have a motorbike and could ride around rural location to discover suitable shooting locations. Tasks were also given to people with experience in that field. Such as the Soundtrack- it was originally meant for team member Tom Mendel but was designated to team member Rob as he studies Music Technology, and has the software necessary to create a soundtrack.
These were some of the Tasks-
These were some of the Tasks-
Friday, 15 April 2011
Saving Private Ryan- Opening 2 minutes deconstruction
Saving Private Ryan Opening 2 minutes deconstruction.
Sound-
- Opens with non-digetic patriotic/ militaristic music
- Complete silence whilst music is playing except the sound of the flag being blown in the wind, again quite a provocative patriotic sound.
- Non-digetic sound of waves during shot of Character A footsteps
- Digetic Sound of Character A’s family can then be heard afterwards giving the viewer a better understanding of how many people there are with character A and building a better picture of the scene.
- Sound of Camera shot being taken, perhaps referencing the respect Characters A’s family has for him
- As scene progresses the sound of birds and waves drowns out the footsteps indicating a more naturalistic environment the characters have walked into.
- Continuing patriotic music along with military drums firther indicates a military based film and Character.
Camera Angles-
- Starts with Low shot panning up to a mid shot of the back of Character A, it’s at eye level so the viewer feels they are in the scene behind Character A. Then changes to a Long shot of Character A’s family, indicating that from the previous shot the viewer is supposed to believe they are part of Character A’s family.
- Mid shot of Character B, one of Character A’s family, holding a camera, as he takes the photo the shot changes to a long shot behind the family, Character A is visible through the gap between Character B and the family, giving the viewer an idea of where they are standing in the crowd.
- Mid shot of character C, can be assumed Character C is Character A’s wife, as she is of similar age and is looking towards Character A in a proud manor, camera is progressively introducing each member of the family.
- Extreme long shot of Character A and his family, obstructed by trees, this is the naturalistic environment suggested by the natural sounds of birds and waves.
- Character A then walks from the extreme long shot to a long shot to a mid shot, this is the first time we see Character A so this is done to introduce Character A slower than Character B and C indicating he is of importance.
- Extreme long shot of American flag with trees, trees are pointing right, then changes to extreme long shot of French flag with trees pointing left, possibly indicating a conflict of the two or that they are separated.
- Camera then changes to a low extreme long shot of Character A leading his family through the field.
- Camera pans to a mid wide shot with Character A standing in the middle of hundreds of graves.
Mise-en-scene-
- Waving American flag along with militaristic music indicates an American based war film.
- The trees that obstruct Character A indicate a peaceful natural environment .
- Hundreds of war graves surround Character A, all mostly Christian, and only one Hebrew. Perhaps giving the viewer a bit of background knowledge about the war.
Editing-
- Camera shots are edited so the viewer is constantly moving with the family, as though they are walking with them, and then occasionally pans to a long shot view of the family to remind the viewer that Character A is leading.
- As Character A walks down the walkway, and extras are walking past him, as the other characters are introduced the extras walk past as if they have paid no attention to Private Ryan. It has been edited to highlight the people have forgotten about what the veterans have done for the country.
- As Character A starts to walk towards the grave yard the all aspects like music, camera work and Mise-en-scene come into play making it like the walk into the graveyard is very hard for Character A.
MAJOR DECONSTRUCTION GENIUS WARNING-
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